Trio Khaldei

Symphonic Beethoven

Symphonic Beethoven

L.v. Beethoven Archduke Trio
F. Mendelssohn Symphony No. 4 Italian in A
II. Andante con moto ‐ III. Con moto moderato

L.v. Beethoven Symphony No. 7 in A

Trio Khaldei celebrates Beethoven's 250th birthday with three programs that illustrate the composer's variety of composition styles.


share

family business #1 Robert & Clara Schumann

family business #1 Robert & Clara Schumann

C. Schumann Trio in g
R. Schumann Trio No. 1 in d

Inaugurating its "Family Business" series, Trio Khaldei dedicates some programs in the following seasons to a few families of musicians, starting with Robert and Clara Schumann. They shared years of love and pain, exercised reciprocal influence and were for one another a never ending source of inspiration. 


Clara’s Piano Trio, composed in 1846, is generally considered as one of her finest works. At the time, Robert and Clara were intensively studying Bach's music, inspiring Clara to develop a particular sense of counterpoint in this Trio.

Robert wrote his first Piano Trio in 1847, inspired by the one Clara had composed a year earlier. This trio announces a big change in Robert’s composition style, becoming more intellectual, more architectural. He wrote about this : "Before, I was composing almost all my short works in a wave of inspiration. From the year 1845, when for the first time I first elaborated everything mentally, I developed a new style of composition”. A new style that remains very intuitively expressive, traditional in form, but at the same time shows a great inventiveness in the way he eludes the "problems" associated with classical forms.

share

Versatile Beethoven

Versatile Beethoven

LUDWIG VAN BEETHOVEN

Duo in C for violin and cello
Sonata No. 3 for cello and piano in A
Frühlingssonate for violin and piano in F
Geister Trio

Trio Khaldei celebrates Beethoven's 250th birthday with three programs that illustrate the composer's variety of composition styles.


Trio Khaldei likes to extend the boundaries of the trio set-up and brings together in this program pieces for violin and cello, violin and piano, cello and piano and one of Beethoven's most popular piano trios: the Geister Trio. This program gives a wide picture of the evolution in Beethoven's composition style, from classic to revolutionary romantic.

Beethoven originally composed his Duo in C for clarinet and bassoon ; we play the arrangement for violin and cello by F. Hermann. It is not known when Beethoven wrote this work, but it’s clearly an early work in which the influence of Haydn and Mozart is still easily audible.

The Sonata for violin and piano Op. 24a was given the nickname "Springsonata" (Frühlingssonate) after the death of the composer, because of the elegance and joy of life that transpire from it. Once more, Mozart is not far away, but Beethoven experiments with the form: this is the first sonata in four movements instead of the usual three.

The third Cello Sonata and the Geister Trio - both composed in 1808 - are clearly from a mature composer who has found his own voice. Beethoven looked for a long time for the right balance between cello and piano, and in the manuscript we can literally see Beethoven trying to find the ideal distribution of the melodic material between both instruments.

The Geister trio owes its name to Beethoven's pupil Carl Czerny, who wrote that the slow movement reminded him of the ghost scene from Shakespeare's Hamlet. About the trio, E.T.A. Hoffmann wrote : "this music proves that Beethoven’s music has a romantic soul, that resonates in a highly personal, thoughtful and brilliant way."

share

Versatile Beethoven

Versatile Beethoven

LUDWIG VAN BEETHOVEN

Variations on Bei Männer, welche Liebe fühlen for cello and piano
Frühlingssonate for violin and piano
Geister Trio

Trio Khaldei celebrates Beethoven's 250th birthday with three programs that illustrate the composer's variety of composition styles.


Trio Khaldei likes to extend the boundaries of the trio set-up and brings together in this program pieces for violin and cello, violin and piano, cello and piano and one of Beethoven's most popular piano trios: the Geister Trio. This program gives a wide picture of the evolution in Beethoven's composition style, from classic to revolutionary romantic.

The Sonata for violin and piano Op. 24a was given the nickname "Springsonata" (Frühlingssonate) after the death of the composer, because of the elegance and joy of life that transpire from it. Once more, Mozart is not far away, but Beethoven experiments with the form: this is the first sonata in four movements instead of the usual three.

The third Cello Sonata and the Geister Trio - both composed in 1808 - are clearly from a mature composer who has found his own voice. Beethoven looked for a long time for the right balance between cello and piano, and in the manuscript we can literally see Beethoven trying to find the ideal distribution of the melodic material between both instruments.

The Geister trio owes its name to Beethoven's pupil Carl Czerny, who wrote that the slow movement reminded him of the ghost scene from Shakespeare's Hamlet. About the trio, E.T.A. Hoffmann wrote : "this music proves that Beethoven’s music has a romantic soul, that resonates in a highly personal, thoughtful and brilliant way."

share

Versatile Beethoven

Versatile Beethoven

LUDWIG VAN BEETHOVEN

Variations on Bei Männer, welche Liebe fühlen for cello and piano
Frühlingssonate for violin and piano
Geister Trio

Trio Khaldei celebrates Beethoven's 250th birthday with three programs that illustrate the composer's variety of composition styles.


Trio Khaldei likes to extend the boundaries of the trio set-up and brings together in this program pieces for violin and cello, violin and piano, cello and piano and one of Beethoven's most popular piano trios: the Geister Trio. This program gives a wide picture of the evolution in Beethoven's composition style, from classic to revolutionary romantic.

The Sonata for violin and piano Op. 24a was given the nickname "Springsonata" (Frühlingssonate) after the death of the composer, because of the elegance and joy of life that transpire from it. Once more, Mozart is not far away, but Beethoven experiments with the form: this is the first sonata in four movements instead of the usual three.

The third Cello Sonata and the Geister Trio - both composed in 1808 - are clearly from a mature composer who has found his own voice. Beethoven looked for a long time for the right balance between cello and piano, and in the manuscript we can literally see Beethoven trying to find the ideal distribution of the melodic material between both instruments.

The Geister trio owes its name to Beethoven's pupil Carl Czerny, who wrote that the slow movement reminded him of the ghost scene from Shakespeare's Hamlet. About the trio, E.T.A. Hoffmann wrote : "this music proves that Beethoven’s music has a romantic soul, that resonates in a highly personal, thoughtful and brilliant way."

share