THE Trio

Trio Khaldei brings together Barbara Baltussen (piano), Pieter Jansen (violin) and Francis Mourey (cello), three musicians with a passion for chamber music and, more specifically, for the unique sonority of the piano trio.

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Concerts

Versatile Beethoven

Versatile Beethoven

LUDWIG VAN BEETHOVEN

Duo in C for violin and cello
Sonata No. 3 for cello and piano in A
Frühlingssonate for violin and piano in F
Geister Trio

Trio Khaldei celebrates Beethoven's 250th birthday with three programs that illustrate the composer's variety of composition styles.


Trio Khaldei likes to extend the boundaries of the trio set-up and brings together in this program pieces for violin and cello, violin and piano, cello and piano and one of Beethoven's most popular piano trios: the Geister Trio. This program gives a wide picture of the evolution in Beethoven's composition style, from classic to revolutionary romantic.

Beethoven originally composed his Duo in C for clarinet and bassoon ; we play the arrangement for violin and cello by F. Hermann. It is not known when Beethoven wrote this work, but it’s clearly an early work in which the influence of Haydn and Mozart is still easily audible.

The Sonata for violin and piano Op. 24a was given the nickname "Springsonata" (Frühlingssonate) after the death of the composer, because of the elegance and joy of life that transpire from it. Once more, Mozart is not far away, but Beethoven experiments with the form: this is the first sonata in four movements instead of the usual three.

The third Cello Sonata and the Geister Trio - both composed in 1808 - are clearly from a mature composer who has found his own voice. Beethoven looked for a long time for the right balance between cello and piano, and in the manuscript we can literally see Beethoven trying to find the ideal distribution of the melodic material between both instruments.

The Geister trio owes its name to Beethoven's pupil Carl Czerny, who wrote that the slow movement reminded him of the ghost scene from Shakespeare's Hamlet. About the trio, E.T.A. Hoffmann wrote : "this music proves that Beethoven’s music has a romantic soul, that resonates in a highly personal, thoughtful and brilliant way."

Versatile Beethoven

Versatile Beethoven

LUDWIG VAN BEETHOVEN

Duo in C for violin and cello
Sonata No. 3 for cello and piano in A
Frühlingssonate for violin and piano in F
Geister Trio

Trio Khaldei celebrates Beethoven's 250th birthday with three programs that illustrate the composer's variety of composition styles.


Trio Khaldei likes to extend the boundaries of the trio set-up and brings together in this program pieces for violin and cello, violin and piano, cello and piano and one of Beethoven's most popular piano trios: the Geister Trio. This program gives a wide picture of the evolution in Beethoven's composition style, from classic to revolutionary romantic.

Beethoven originally composed his Duo in C for clarinet and bassoon ; we play the arrangement for violin and cello by F. Hermann. It is not known when Beethoven wrote this work, but it’s clearly an early work in which the influence of Haydn and Mozart is still easily audible.

The Sonata for violin and piano Op. 24a was given the nickname "Springsonata" (Frühlingssonate) after the death of the composer, because of the elegance and joy of life that transpire from it. Once more, Mozart is not far away, but Beethoven experiments with the form: this is the first sonata in four movements instead of the usual three.

The third Cello Sonata and the Geister Trio - both composed in 1808 - are clearly from a mature composer who has found his own voice. Beethoven looked for a long time for the right balance between cello and piano, and in the manuscript we can literally see Beethoven trying to find the ideal distribution of the melodic material between both instruments.

The Geister trio owes its name to Beethoven's pupil Carl Czerny, who wrote that the slow movement reminded him of the ghost scene from Shakespeare's Hamlet. About the trio, E.T.A. Hoffmann wrote : "this music proves that Beethoven’s music has a romantic soul, that resonates in a highly personal, thoughtful and brilliant way."

Versatile Beethoven

Versatile Beethoven

LUDWIG VAN BEETHOVEN

Duo in C for violin and cello
Sonata No. 3 for cello and piano in A
Frühlingssonate for violin and piano in F
Geister Trio

Trio Khaldei celebrates Beethoven's 250th birthday with three programs that illustrate the composer's variety of composition styles.


Trio Khaldei likes to extend the boundaries of the trio set-up and brings together in this program pieces for violin and cello, violin and piano, cello and piano and one of Beethoven's most popular piano trios: the Geister Trio. This program gives a wide picture of the evolution in Beethoven's composition style, from classic to revolutionary romantic.

Beethoven originally composed his Duo in C for clarinet and bassoon ; we play the arrangement for violin and cello by F. Hermann. It is not known when Beethoven wrote this work, but it’s clearly an early work in which the influence of Haydn and Mozart is still easily audible.

The Sonata for violin and piano Op. 24a was given the nickname "Springsonata" (Frühlingssonate) after the death of the composer, because of the elegance and joy of life that transpire from it. Once more, Mozart is not far away, but Beethoven experiments with the form: this is the first sonata in four movements instead of the usual three.

The third Cello Sonata and the Geister Trio - both composed in 1808 - are clearly from a mature composer who has found his own voice. Beethoven looked for a long time for the right balance between cello and piano, and in the manuscript we can literally see Beethoven trying to find the ideal distribution of the melodic material between both instruments.

The Geister trio owes its name to Beethoven's pupil Carl Czerny, who wrote that the slow movement reminded him of the ghost scene from Shakespeare's Hamlet. About the trio, E.T.A. Hoffmann wrote : "this music proves that Beethoven’s music has a romantic soul, that resonates in a highly personal, thoughtful and brilliant way."

NEWS

CD

Verklärte Nacht
New recording

Hummel - Brahms - Schönberg

28/07/2019
radio

Klara
zomerhits

Listen to Barbara Baltussen this week in ‘Zomerhits’ on Klara!

22/07/2019
radio

Musiq3
"Demandez le programme"

A pleasant, summery interview of our pianist in « Demandez le programme » on Musiq3 with a lot of fragments from our new cd. (In french) 

Musiq3 : "demandez le programme"
26/06/2019

Programs

Versatile Beethoven

Versatile Beethoven

Versatile Beethoven

LUDWIG VAN BEETHOVEN

Duo in C for violin and cello, WoO 27 No. 1
Sonata No. 3 for cello and piano in A, Op. 69
Frühlingssonate for violin and piano in F, Op. 24
Geister Trio, op. 70 No. 1​​​​​​​​​​​​​​

LUDWIG VAN BEETHOVEN

Variations on Bei Männer, welche Liebe fühlen for cello and piano, WoO 46
Frühlingssonate for violin and piano in F, Op. 24
Geister Trio in D, Op. 70 No. 1

Trio Khaldei celebrates Beethoven's 250th birthday with three programs that illustrate the composer's variety of composition styles.

learn more
Symphonic Beethoven

Symphonic Beethoven

Symphonic Beethoven

L.v. Beethoven  Geister Trio in D, Op. 70 No. 1

F. Mendelssohn  Symphony No. 4 Italian in A, Op. 90

 II. Andante con moto ‐ III. Con moto moderato

L.v. Beethoven  Symphony No. 7 in A, Op. 92

F. Mendelssohn  Symphony No. 4 Italian in A, Op. 90

II. Andante con moto ‐ III. Con moto moderato

L.v. Beethoven  Symphony No.7 in A, Op. 92

Trio Khaldei celebrates Beethoven's 250th birthday with three programs that illustrate the composer's variety of composition styles.

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Symphonic

Symphonic

Symphonic

  • Ludwig van Beethoven Symphony No.7 in A, Op. 92
  • Dmitri Sjostakovitsj Symphony No.15 in A, Op. 141 (arr. V. Derevianko)

Dimitri Shostakovich Trio No. 2 in e, op. 67
Dimitri Shostakovich Symphony No. 15 in A, op. 141 (arr. V. Derevianko)

Trio Khaldei offers a new perspective on two major works of the symphonic repertoire, and revives a custom that was very popular up to the start of the 20th century – that of arrangement, allowing the audience to discover or rediscover these masterpieces.
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Latest recording